Thursday, August 16, 2012

Madonna: Setting Intentions, New Moons and Ruling the World


When Dick Clark (shout out to Mt. Vernon) asked Madonna on American Bandstand in 1984 about her goals for the new year and her career, she unabashedly answered: "to rule the world." Lo and behold she pretty much did. At the very least, she ruled my world and the world of pop culture for the last 25+ years. 

In honor of her birthday, I've been revisiting her videos and music and felt drawn to "Like A Virgin." I remember rolling around my living room as a youngster not knowing what I was doing or singing. I just loved her fishnets, spandex and sass...the weird morphing man/lion was pretty cool too. Even as Some things never change. 

I always associated this song with sex because of the word "virgin" and only recently I truly understood what she was really talking about. Listening to the lyrics today makes me think of rebirth and feeling grateful and excited for all of the new things in my life. I definitely feel like I've made it "through the wilderness" of the last year and am now seeing and feeling things with new eyes and a new heart...they are more keenly attuned and all-around stronger. 

Appropriately, tomorrow also marks a new moon in Leo. New moons signify renewal and mark an auspicious time to set intentions for what you want to create for yourself. Leo rules the 5th house of romance, creativity and children and is ruled by the Sun which represents our sense of self. According to Fran at Nine of Cups, Leo is the sign of "courage, strength, trust, pride, power and self-confidence" while the Sun is a healer. Thus the energy is ripe to start thinking about how you can be courageous and confident in your creative expressions and your expressions of love. 

Take a cue from Madge's youthful confidence in herself and lay claim to the changes you want to make in your life. There is power in our words and thoughts so we might as well speak powerfully when we are being most supported by the planets. I like to write down my intentions or things I want to create for myself in a journal so I can revisit them at the end of the moon cycle and see what I've manifested. Trust and believe, these things take time! But I've found that it's been a concrete step in the journey ruling my own world. 

read more

Wednesday, February 15, 2012

Facing the Music: Lessons from Whitney, Rihanna & Chris Brown

It's been a troubling weekend in pop culture land with the tragic and untimely passing of Whitney Houston, one of the biggest stars of our lifetime. She, just like Michael Jackson, was a huge part of my childhood and my inner child is feeling quite lost right now. I guess it's really time to grow up, huh?

Many of us tuned into the Grammys to see how they would pay tribute to the Queen of Pop. Jennifer Hudson sang a touching and understated rendition of "I Will Always Love You," and Ms. Houston got much love throughout the night. But aside from the mourning of Whitney, Chris Brown and Rihanna dominated the headlines, almost exactly 3 years after he almost ended her life. Yes, remember how he almost killed her? Now he is winning Grammys and performing pop hits to national audiences as if nothing ever happened. What a fucked up anniversary for Rihanna even though she was right on stage making her money too. Adding insult to injury, young women were tweeting their love (lust) of Chris Brown saying that he could beat them up any time (a terrible double entendre).

Yesterday a police report about the 2009 pre-Grammy incident between CB and Rihanna was released complete with graphic details about what happened. It made me physically sick to read...and then numb. Since this story first broke, I have been very much "Team Rihanna" and felt incredible amounts of sympathy and sadness for her. At the same time, I've felt remorse for Chris Brown who grew up watching his mom be abused and thus is repeating these patterns, all while feeling hypocritical and disgusted. I have said repeatedly that my prayer for them is that they can do some healing outside of the spotlight. But such is the grind that is the music industry...they have been releasing back to back albums since the incident, dying their hair and getting tatts, decorating their outsides while having to mask what's inside.  Chris Brown has barely shown any remorse, and Rihanna wants to pretend it never happened (can you blame her?).

Even three years later, feeling around this incident are still raw. It is a classic case of the complexity of domestic violence. Enter the victim-blaming. I have been around countless women who have said that they believe that Rihanna isn't as innocent as we think, and may have provoked CB.  I could relate because many moons ago I used to get physical with men. I was lucky I never got my ass beat thinking what I was doing was an acceptable resistance to gender roles. There is a legitimate power and strength dynamic between men and women. Most men know better than to hit a woman and that they never should, even if a woman is antagonizing and is physically violent. However, I also believe that particularly as women (but people in general), we need to keep our hands to ourselves and walk away from fights and drama just as men are instructed to. Violence does not help us fight patriarchy and it does NOT give us power. This is not an excuse for any physical abuse, domestic violence or intimate partner violence, it is about maintaining our personal safety.

Nobody knows what really went down but we do know he brutally beat her. It doesn't really matter what happened before that (like were they coked up and fighting?) because his extreme actions are not an acceptable response to anything she *may* have said or done short of her trying to literally kill him (gun/knife in hand). What saddens me is how so many of us have some sort of societal "Stockholm Syndrome." It still is hard for many women to believe that this talented young man would nearly kill the talented young woman he "loves." Is there that much cognitive dissonance that we can't wrap our heads around this possibility? But he sings and dances so well! And after all, Rihanna is a feisty Caribbean woman.

What about these rumors that they are seeing each other again? How many stories do we know/hear about where women end up back with their abuser or can't cut it off until many years later? Rihanna, like all of our celebrity idols, is human. It brings me back to Whitney...a complex and brilliant woman who stayed in a publicly abusive relationship riddled with substance abuse addiction. She said in interviews she just wanted a normal life. She was in pain. I'm not saying Rihanna is an addict (who knows?) but how could we judge her for using if she has to stay in the spotlight cranking out lucrative hits while never getting a real opportunity to retreat and heal herself? At this point in time with so many fallen musical legends, don't we see where these roads lead? Doing the same thing expecting different results is called insanity.

If we as adults are unable to process this, then how can we expect our young people to? Young girls are still proclaiming their love for Chris Brown, finding him so sexy that they say they WANT to be beaten by him. It's more than the typical "bad boy" attraction...it speaks to a lack of awareness and understanding of the realities and pain of domestic violence. How do we engage young women and young men to fully grasp the severity and long-lasting effects of intimate partner violence in all forms? How can we build women's self-esteem so that our own health and well-being trumps some man's looks, money, fame or companionship? How do we get ourselves so healthy that we sprint away from danger instead of running towards it headfirst eyes wide open?

I'm also still having trouble completely denouncing Chris Brown. Maybe I'm too forgiving, maybe my self-esteem is less than, maybe I have misplaced compassion, maybe I need to ask myself the questions above. What he did to Rihanna was vicious, it is inexcusable and deplorable. I refuse to make excuses for him or his behavior, however I see him as a young man in need of serious help and support. He could be a role model for young men and young women but instead I see him sink deeper into destruction. Look at him wilding out on Twitter (and remember Good Morning America?) mad at the Grammy backlash.

I believe in second chances but I also believe that you have to earn them. Has anyone (certainly not the industry or his "people") has made him to stop the grind, go away and handle his internal business? Anger management and community service do not count. He is consistently rewarded with money and awards for maintaining a "bad boy" persona singing songs about getting unsuspecting women to go back to his crib, and getting paper. But how is he different from James Brown? Miles Davis? Their transgressions against women were swept under the rug because of their musical genius. That didn't mean women still weren't getting beaten, or that these men were whole and in healthy relationships.

When are we going to stop these cycles and start holding each other accountable? How many more people have to die? We have to take a real hard look at ourselves, and admit our complexities and our humanity. We need to create and support spaces for people to tell real stories about their lives without fear of criticism and judgment (you listening, blogosphere?). Sure it's utopian but with the passing of Don Cornelius and Whitney Houston, this is our wakeup call to give mental health the credence it deserves. We are killing ourselves and each other. Let's talk candidly about the allure of addiction whether it's love, substances or otherwise.  We can only run so long from our pain and personal demons before they resurface with a vengeance. It's time for us face the music and start healing.

read more

Tuesday, June 21, 2011

When We Were Queens: Goddesses Rising On WBAI's Hip-Hop Takeover



Happy Summer Solstice! It's that time again for WBAI's Hip-Hop Takeover, a 25 hour marathon of Hip-Hop themed programming with talk, music, news and all sorts of good stuff. The Goddesses Rising crew will be there again (I think this is our 5th time participating!) hosting an hour show, "When We Were Queens," to go along with this year's theme: Tribute to the Pioneers. We're on from 1 p.m. to 2 p.m., so you'll hear yours truly, goddess Angelika, and our goddess sister TastyKeish from Rise Up Radio. Join us for a special mix from the divine DJ Chela, interviews with Hip-Hop feminism pioneer Joan Morgan, and Sherri-Sherr of the Mercedes Ladies (courtesy of Davey D). In the in-between time, we'll be reminiscing about our favorite "old school" lady emcees and taking your calls, so join us and give us a ring!

MEGA thanks to Ife Dancy for having us join the Hip-Hop Takeover again, we are always honored to be part of such a beautiful community. Listen live online or if you're in the NYC metro area, it's on the FM dial at 99.5 FM.

And don't forget the afterparty!

read more

Tuesday, May 24, 2011

Who Run the World? GIRLS! Who Wrote The Song? MEN!

I've spent entirely too much of the last week talking, reading about and watching Beyonce. *shakes fist at the Interwebs* But the bevy of conversation and controversy that has surrounded the release of Beyonce's new video for her latest single, "Run the World (Girls)," has been nothing short of fascinating. Maybe I need new hobbies. As a consumer and critic of pop culture and feminism, I've found myself questioning and exploring how those things both beautifully harmonize and diametrically oppose each other. Then mix in ideas about sexual expression and black female sexuality and it becomes all the more conflicting. It reminds me (as Joan Morgan said on Facebook) that "feminism is complicated."

I first saw this video when I was watching "American Idol" last week (don't judge me) and Beyonce was a guest mentor. My first thoughts as they showed clips of her advising the contestants were: "Damn, why she look so pale! They keep trying to whiten her up more and more. The blond weave doesn't help either." Catty, maybe, but it was startling and that's a whole other topic. The video "premiered" during a break and I was thinking about the "American Idol" audience which is primarily teenyboppers and families and wondering what I would say if I was watching it with my 7 year-old goddaughter. How could we process this together? This words seemed (initially) fairly innocuous and scream of "girl power." Although the images were sexy, I thought it was tamer and even more justified than some of her previous videos. There was even legitimate African dance not just gyrating and grinding (though I'm a fan of all of the above) so I could explain that to a little girl. But what kind of discussion could we have what about what girl power looks like in the real world?

I liked the video a lot and I still do. The dancing is dynamic, the costumes are captivating, the set is stimulating and it's fantasy and it's fun...yes, fun! But enjoying much of our pop culture often requires a certain level of detachment. In this case, detaching from the obvious reality that we women/girls/ladies/females/chicks don't literally run the world. Women encounter a full range of experiences on a daily basis that remind us of our "place" in this world. Music, and videos, can provide an escape. For five minutes, I can pretend I'm in some alternate universe where women have political, economic and social power AND equality...and we exist as a dancing army of half-nekkid badasses in the desert. It's good for the imagination.

I also believe in the greater idea of speaking things into creation so I'd rather little girls be singing this than 98% of what's on commercial radio. If this song makes little girls feel confident and believe in their own internal power, specifically in contrast to all the confusing messages they are constantly receiving about gender dynamics, then I'm cool with it even if it is cheesy and not entirely factual. My friend Shani who is an awesome mama put it best: "It reminds me of my daughter and the sense of possibility unique to being 8."

I'm not going to regurgitate what so many lady bloggers have eloquently said before me. For example, Nineteen Percent has made huge waves with her vlog calling Beyonce a liar for telling girls that they run the world when femicide, paycheck inequality, wartime rape (I can go on) are major problems women face. I can't argue with her there. But as I said on Facebook, I'm just not expecting Beyonce to be on the forefront of any substantive discussion about women's rights, where we are and where we've come from.

I understand there is inherent danger in pop culture co-opting of feminism and "girl power" as Samhita over at Feministing clearly explains. The irony of all this conversation and debate, and what I think helps prove this point, is that the song was written primarily by MEN. Not one but a quintet: Terius "The-Dream" Nash, Nick "Afrojack" van de Wall, Wesley "Diplo" Pentz, David "Switch" Taylor, and Adidja Palmer (Vybz Kartel) all co-wrote this with Beyonce. These guys aren't exactly pro-woman intellectuals or activists so again why do we expect this to be an authentic anthem?

Many people ask "Why shouldn't we expect more?" Beyonce is an entertainer. Her JOB is to be a pop star i.e. sell lots of records and get lots of endorsements. Her songs are like the McDonald's fries of music. Horrible for you but deliciously addictive and readily available. They are both guilty pleasures relatively irresistible to the masses. (side note: I loathe McDonald's but you know about their fries.) She has been raised by parents determined to make her a star...and here she is. She is a cog in the music industry wheel. A wheel that is about making money off of selling people whatever crap they will buy, and/or creating formulaic music that won't make you think too hard. Maybe Bey wanted to write something more authentic and got shut down by the four men in the room, her record label or another more powerful male voice. Maybe these words truly empower her. Maybe she just wanted us to watch and discuss. We don't know. I'm just speculating and I'm not knocking her hustle.

It just sucks sometimes to feel like you're a "bad feminist" if enjoy clearly problematic and unsophisticated content. But to quote Arielle Loren: "Many women relate to rocking freakum dresses, graduating from prestigious universities, building powerhouse careers, and loving their families, all at the same time." Even if Bey's music is a bit misguided and often lacks nuance, there's something relatable (and danceable) that captivates large audiences, myself included.

We can sit around and have intellectual debates about this or do what oppressed peoples do. Flip the script. Take something that is created from patriarchal and capitalist intentions and make the messaging powerful for ourselves. There are important discussions happening now about women's and girls equality that are being sparked by this one catchy pop song. Use this as a teachable moment to talk with young girls about their self-esteem and how they interpret "running the world." As my friend Brandi reminded me on Facebook: "People's self-esteem have to be lifted in order to have the confidence to start a revolution." A place to start is with our girls and ourselves.

Update 5/23 at 5.07 p.m.: please talk to little boys and men too! equality requires all of us.


read more

Sunday, April 10, 2011

Ashley Judd Thinks Hip-Hop Ain't No Fun

I've been having some conversations over the last few days about Ashley Judd and her misguided and misinformed views on Hip-Hop in her just-released memoir. At first, I dismissed it as another older white feminist movie star talking about things that she has no idea about. I respect what she has done to advocate for international maternal health, so I rolled my eyes and tried to look at it as an opportunity to talk about misogyny in commercial Hip-Hop music, and how that affects perceptions of it within larger society. But that was a surface and reactionary response, lacking deeper thought about the larger implications of her statement and what it shows about her prejudices. Here's what she said:
"YouthAIDS created hip, public service announcements for TV and radio using popular local and international celebrities and athletes and was participating in the MTV World AIDS Day 'Staying Alive' concerts," she wrote. "Along with other performers, YouthAIDS was supported by rap and hip-hop artists like Snoop Dogg and P. Diddy to spread the message ... um, who? Those names were a red flag. As far as I'm concerned, most rap and hip-hop music -- with its rape culture and insanely abusive lyrics and depictions of girls and women as 'ho's' -- is the contemporary soundtrack of misogyny."
During a conversation on Facebook with a feminist sisterfriend, we commented on how Ashley Judd is an outsider to the culture and knows nothing about Hip-Hop to make those statements. However, I also talked with my close friend, TastyKeish, and she was really upset and bothered by it. She opened my eyes to the severity of using "rape culture" to describe something so broad yet nuanced. I'm realizing that being caught up in academic feminist circles (of which I'm often on the periphery), I can have tunnelvision. Maybe I'm choosing gender over race...I'm not sure...I hate the idea that I even think about having to weigh the two. But I see I've become desensitized to these kinds of comments and if I am going to call myself a feminist, then I should be just as disgusted by gendered and ignorant comments about black men's sexuality and a culture that has raised me (even if it has its issues) as I am about how black women's sexuality is attacked through anti-choice billboards.

Aside from the fact that Ashley Judd has no clue about Hip-Hop as an art form and a culture, her comment shows an underlying prejudice towards black men. She says that Snoop and Diddy's participation in YouthAIDS raised a red flag for her. If she knew anything about Hip-Hop or maybe even had a conversation with either one of these men, she'd know that neither condone rape or create violent music (at least not in the last decade), both are intelligent and savvy media moguls, and both are fathers (each has a least one daughter). So why wouldn't they use their star power and influence to spread the message to young people, and especially the Hip-Hop community, about the importance of HIV/AIDS prevention? Shouldn't they be lauded? If their music is so sexually irresponsible, isn't it a good thing that they are talking about safe sex considering that HIV/AIDS transmission rates are so much higher among African-Americans?

What's particularly dangerous is the use of the phrase "rape culture" in this context. In the wake of the Cleveland, Texas rape case, we have seen how stereotypes of sexually aggressive black men spin out of control and dredge up historical beliefs of black men being rapists. This is the latest incarnation with Ashley Judd, a well-respected advocate for maternal health and women and girls, attacking Hip-Hop. Commercial Hip-Hop is misogynous. So is underground shit. Rock, metal, house, R&B, techno, etc. all have misogynous and violent content. But none is as popular, commercially viable, or controversial. There's a difference between talking about the music as being misogynous and honestly deconstructing what's behind that, and saying Hip-Hop as a whole promotes "rape culture." It shows a lack of understanding of the diversity of Hip-Hop and the commercial decisions that shape how it is sold and capitalized upon (and who makes those decisions).

I know that she is promoting a book and people think it's a publicity stunt. I don't know...maybe it is, generally speaking we as listeners and consumers of Hip-Hop (at least her definition of it) aren't her main audience. As a publicist and communications strategist, I think that's idiotic and shortsighted but I'm also not a big supporter of the idea that all publicity, even bad, is good publicity. If that's the case then mission accomplished...now people who didn't know or care about her memoir think she is a racist dumbass. Or some people think she is speaking out about negative imagery of women in Hip-Hop and pop culture. That depends on your point of view. What I do believe is that Ms. Judd wants to advance the discussion of attitudes that lead to sexual assault and rape since she experienced sexual abuse. Yet this is hardly a constructive way to do it.

I am no Hip-Hop expert. I grew up adoring Salt-N-Pepa, Queen Latifah, Monie Love and MC Lyte...along with Snoop. (I'm still a fan.) As a teenager, I was offended that Biggie called women "hos" but loved Lil' Kim for spitting raw lyrics about liking to fuck. I worked in the industry and saw the best and worst treatment of women, how stereotypes can be expressed by both genders, and how the money would dry up if women were not running things behind the scenes and showing their bodies on camera giving even the lamest emcee a hope that his video will be seen. There is a spectrum of attitudes and expressions in music that is not individual to Hip-Hop, that's what creates art.

I don't want to go in on Ms. Judd because I know I've said and written things that were ill-informed and irresponsible, things I wish I had thought more about before putting into a public space. Instead since she is passionate about maternal health, I'd like her to see how Hip-Hop is raising awareness of the issue in the African continent, where she has done a lot of humanitarian work. Two powerful women (songstress Maya Azucena and filmmaker Lisa Russell) created MDGFive.com, a movement uniting artists and activists for maternal health. They just returned from Tanzania and collaborated with local artists there for the song, "Mama Creator." This is Hip-Hop. It might not sound like what's on the radio or in videos but it expresses a positive and life-affirming aspect of the culture in a way that I think Ms. Judd can relate to.

Now she has come out after the backlash and said this, exclusively to Russell Simmons via Global Grind:
“...What I’m being accused of is condemning rap and hip-hop as a whole, and the whole community and when they say community, they mean the fans, and African-Americans, it’s become so generalized. My intention was to take a stand to say the elements that are misogynistic and treat girls and women in a hyper-sexualized way are inappropriate. The male dominance that is displayed, and the reinforcement of girls' and women value and identify as primarily sexual, is not helpful in any artistic expression, in any cultural form, whether its country music or in television story lines.”
The idea of misogyny in Hip-Hop is not new but this can certainly be another opportunity to talk about how women are represented in popular culture, not just Hip-Hop. Hip-Hop is an easy target but it's a lot more complicated than just saying it promotes rape culture without looking at the bigger picture. I identify as a feminist but I like "Ain't No Fun" and a whole slew of songs with shameful sexist lyrics. I know it's problematic and sometimes it's a mindfuck but I'm aware of Hip-Hop and all of its complexities. I want our community to be challenged by public condemnation of Hip-Hop and to think about what messages we are promoting globally and generationally. But I also think it's an unfortunate reminder that no matter how much success black men achieve the stereotypes about their sexuality continue to exist and persist. For feminism to move forward among all genders, we need to be cognizant of how this thinking keeps gender roles alive and inadvertently feeds a cycle of violence...one that has nothing to do with Hip-Hop.

read more

Monday, March 28, 2011

What does pro-sex mean anyway?





Pro-sex is a belief that sexuality is spiritual and human beings are naturally, sexual beings so women do not have to fit into the box prude vs. whore; there is definitely an in between. For example, Janet Jackson’s lyrics are just as provocative as Lil Kim’s but just more subtle. Janet is just as sexual as Lil Kim but in a different way. Thus, there are more ways to live a pro-sex life without being a “whore” or “slut”

It’s all about balance. One can be pro-sex yet practice abstinence/celibacy at certain point in one’s life in order to create/maintain sexual health and balance.

Pro-sex means looking at sex holistically; that sex is more than just a physical act and one must be sexually healthy and aware


Pro-sex does not mean sexually promiscuous, it actually means just the opposite that as sexual beings we are obligated to be sexually responsible.

Being pro-sex does not mean that you’re a nymphomaniac or currently sexually active. Being pro-sex is having the outlook that sex is just as important as nutrition and just as we teach people to have balanced eating habits, we must teach people to have balanced sex lives as well.

read more

Sunday, March 27, 2011

Greater Than Love: In Response to Questions on Pro-Sex




When two spirits intertwine, something higher, something greater than love occurs


I appreciate all dialog on love, sex and relationships especially questions. And don't expect everyone to understand or agree with me.

Back in October, I wrote a piece on pro-sex feminism and received a few questions about what type of contraception I use and whether or not sex without love is like rape so here's my response below.


The type of contraception depends on who I am with at that time, but again as I pointed out in the post . . . pro-sex doesn't mean promiscuous

It seems you assumed I have more than one partner at a time or that have had a great deal of partners over time, please don't put me in that box

I've been celibate for almost a year now but still consider myself pro-sex

I have learned that it is extremely difficult for people to have sex without love and fear, which usually leads to control or power struggles

If I met the right person who could handle being with me without trying to control me then I wouldn't be celibate, but due to the fact that most people equate love with control and conditions I remain pro-sex but sex free

Pro-sex doesn't mean violence or teasing for tricks either. It simply means that it's up to me to choose who I have sex with and to be upfront about whether or not I want more than sex from that person

I disagree that sex without love is a form of rape because love sometimes means "controlling" or "struggling for power" just as rape is about power. Many people have twisted ideas of "love"

Love is not necessarily derogatory, however, I want something greater than love. Being together or being "in love" shouldn't require that I am with you everyday or living with you or marrying you or keeping tabs on you and vice versa

I believe there is a higher level of being connected to another person that doesn't require traditional models of relationships and "love"

read more